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June 2, 2022

Throwback Thursday: The Last Star, By Juliana Amir


Editor's Note: Today's Throwback Thursday is a tale that was originally published in EC's "A Midsummer Night's Dream Issue" from 2018. It's a sweet variation on "The Ugly Duckling" story...And may everyone find where they belong. Enjoy!
“However will you get ahead in this life?” the mother chided her ugliest duckling.

She tilted her iridescent neck to the side. Of all her bright yellow children, this one, unworthy of even a name, had stringy gray feathers and hopeless eyes. The duckling glanced with shame at his tar-black feet. His brothers and sisters had feet the color of evening skies.

With sudden ferocity, the mother swept in, beak stretched. The duckling scattered back onto the riverbank, but in a snap, she plucked soft feathers from his tender wing.

The mother paddled off spitting his gray feathers into the east blowing wind. Her duckling was left by serpentine roots under an enormous weeping tree, alone. He stayed, flat feet firmly planted, shivering with worry.

As the summer sun set turning the river from green to vibrant crimson, long boats from beyond emerged. They sailed towards the gray stone castle towering on the hill.

The boats, some of dull unvarnished wood, and others boldly painted, held mostly young men. A few had the luxury to recline as their personal rower swiftly traversed down the sunset river. Other boats were packed full of those sharing a ride, rotating the oars themselves, toward the black iron gates.

The duckling, forgotten on the riverbank, followed the boats all the way through the gates, which were open wide in welcome. The ugliest duckling’s feet were tired, but he kept paddling until he reached the place where boats were moored. He hopped into the tall grass, still warm from the bright day, and nestled deep where he would not be easily spotted. Never had he been so far from home. The sun had vanished and sounds he had never heard lit the night.

Crowds of people laughed—a merry noise delighting the duckling. As they clinked glasses of rosy liquid, melodies composed of strings and reverberations wafted on unseen winds. The darkness became less haunting and more splendid. The crescent moon cast a glowing smile from its starry perch. Small fires burst to life along the castle grounds sending up charcoal streams of smoke.

Men were dressed identically in black, but the women swirled along stone pathways in more colors than the summer garden knew. Emeralds, reds, and buttercream yellows, illuminant in the torchlights, they adorned the grounds. Unlike his mother, who had left him with a bleeding wing, these women seemed both beautiful and kind.

The duckling had a dull ache, but he didn’t mind it now. Especially when a woman pointed right to him. He burned warmly in that moment. The woman passed her glass to her partner and, with tea sandwich in hand, approached. Removing the top piece of white bread, she crumbled it for the duckling, and popped the rest between her rose lips.

The duckling pecked at the soft pieces on the earth. They were fresh and soothed him in this unknown place. As the couple smiled at him, he tried smiling back. The people behind them began meandering away from the river. Flamethrowers, somersaulting blazing torches into the air, grabbed everyone’s attention—including the kind couple’s. Once again, he was forgotten.

Dusk was melting, stars were on the verge of fading, and the duckling had fallen into deep dreams of being human. A human that could pluck tea sandwiches from trays, run fast so as not to miss everything he wished to see, and one who could dance as he saw couples that night: entwined, happy, and gliding, as if children on skates upon a frozen river, despite having only firm earth beneath them.

The ugliest duckling half-woke to a crunch, and leaned out of his dream to listen, and with another crunch, he was wide awake. The boats had disappeared. He waddled on short legs to the river and leapt in amongst the lily pads.

No sooner did he leap than a girl with midnight curls and a lace dress appeared at the riverside. Her strappy shoes dangled from her fingertips.

She sat down and plunged in her bare feet with her gown gathered around her knees. She sighed. The duckling tugged on a water lily to bestow upon the sad girl, who like him was unpaired, but the firmly rooted lily refused to come loose no matter how hard the duckling tried.

The sound of wild laughter split all silence. It startled him so much that he paddled back, but then, it delighted him once more.

He swam closer.

“Look at your poor wing.” She extended her scratched hand. “This is why they don’t let me pick my own berries.” She let it rest in the water.

The duckling hesitated, but crept closer. She raised one finger and stroked his good wing. “Here I was about to pray upon the last star of the night for my freedom. There are so many boring men, who don’t read poetry, you see. But, I’ll give my wish of the night to you…may you find where you belong.”

The stars understood belonging for they were born into clusters, and just then, dawn washed away the last one.

With one hand she scooped up the duckling. He flapped his good wing, but as she brought him close, he settled down and she gently kissed his head. She placed him in the grass beside her and stayed a moment longer before returning to the castle. Soon after she disappeared, a light from the turret overlooking the river darkened.

Gardeners came to water flowers. People moved with urgency. In the afternoon, an older woman with a glistering crown meandered with a few finely dressed companions to drink tea from tiny cups. She complained of her spoiled daughter who dreamt of love. Anyone who overheard her wondered if she had anything else to say, or if she was spellbound to repeat herself for eternity.

Nobody bothered the duckling. In the late afternoon, the crowned woman’s daughter returned with her wild laugh and inspiring eyes. She had a book in hand to read to him. He didn’t know what she was saying, but he loved the way she said it. Sometimes when her voice quickened and she smiled as she read, he shook his tail to let her know he was happy too.

This is where he belonged.

Days collected into a year. The duckling stressed as his neck grew like a crooked tree. Eventually, it was no longer just his feet that were tar-black but his entire body.  A flock of green iridescent ducks bobbed through, but as soon as the ugliest duckling came close, they flapped back to where they originated. His wings were vaster and his feathers had grown in longer. He was monstrously large compared to his mother, with her short neck and pleasant chubby face, and to all the ducks he had just frightened away.

But the girl never treated him like a monster, and sometimes she packed a picnic for them. Always there was a new book. They’d sit upon a soft blanket and her reed basket would hide tea sandwiches. Under green foliage turned gold by summer, she’d munch on the cucumbers and raspberries from in-between and feed him the bread from her hand. Sometimes the bread was brown, other times white, and she even learned not to bring him the bread with seeds. His distress settled.

Other days, she had picnics with different company. Sometimes, when her companion wasn’t paying attention being overly invested in his own words, she would look at him and roll her eyes.

Like any other day, a table had been set up by the riverside. The girl appeared with her nagging mother. The mother kept her hands folded in front, but her tone was as sharp as the vengeful beak that had left the duckling bloody.

“Do not ruin this with your silly notions that have no place in reality. I warn you.” She smiled for the sake of those watching, then turned her gaze to the duckling who felt small again in her towering presence that loomed like the castle she came from.


“Scat, you filthy disease. Scat.”


The duckling flapped back into the shadows and stayed there. When the crowned woman was gone, her daughter peered into the gloom cast by the arching trees.


“Sorry,” she whispered.


A man came with a tall sunflower, which he gave with a smile and a bow, before taking the seat across from her. Before he even reached for a slice of cinnamon cake, the duckling sensed something. Instantly, he disliked him. That day remained golden by the riverside. They took morning strolls and often had afternoon tea. On a different day full of songbirds’ music, the duckling saw his instincts realized.  


When he heard their tones crescendo, he paddled from the shadows. Never had he heard her speak so harshly. The man seized her wrist and had it nailed to the table. She tried jerking free but then, she lifted the emerald kettle and poured. Steamy brown liquid splashed onto his skin.


He let go and raised his hand. The duckling stretched his vast wings, lifted his long neck, and flew. With power unknown to him, he chased the man far from the table and kept after him, squawking and snapping. The man sprinted all the way across the yard, nearly tripping over his feet, and was still running after the duckling stopped.


That was the last time she was unaccompanied during a date.


Once she seemed so happy that it filled the duckling’s own heart to see her cheerful. A few nights later, she was crying with her feet soaking in the river. The ugliest duckling now had the strength to snip the water lily from its pad and rest it in her lap. He leaned his head there too. With gentle fingers, she stroked his neck until tears stopped falling on his head like salty raindrops.


While the nights still embraced him warmly and before the moon had time to grow fat again, a black swan, his river reflection, came closer gliding like those couples on the night lit by stars and fire. He offered the dark swan a yellow lily from the water before she could disappear.  


With her there, so close, she was the most beautiful surprise ever to occur in his life. With her came the realization that he was not meant to have a short neck and chubby face. He was not mangled, nor monstrous. He was just like this potential friend. And all those worries that he kept about his lonely future, buried deep inside, he released. Just like those iridescent green ducks, they offered him nothing.


Together they swam until the stars faded, and when only the last one was still glowing, he made his wish, remembering the sounds that had brought him so much pleasure. He looked to the window overlooking the river where the light flickered on and off at all odd hours, and thought: may she find where she belongs.


It was then that the last star of the night faded out.  
Juliana Amir is a graduate of the NEOMFA. She enjoys the stars. Imagining all the stories unfurling beneath them, this story was dreamt.

Cover: Amanda Bergloff

Twitter @AmandaBergloff

Instagram: amandabergloff 

April 8, 2021

Throwback Thursday: 4 Cinderella Films We Can Watch Over & Over, By Amanda Bergloff

Editor's Note: We here at Enchanted Conversation love fairy tale films, and this article from 2018 celebrates the heroine who can wear glass slippers in four films we can watch over and over!

Hi all! Not only does EC love reading fairy tales, but we also love the many films they inspire. So, we put the call out on Twitter for people to share some of their favorite fairy tale movies, and we want to thank everyone who responded!

This month, we're featuring live-action CINDERELLA FILMS based on the recommendations of:

The classic tale of the kind-hearted girl of the cinders, her fairy godmother, glass slippers, a ball, and a happily ever after has been adapted many times in both live-action and animated versions. 

So, here's four live-action flicks 
we can watch over and over...
Ever After: A Cinderella Story (1998)
This adaptation of Cinderella treats the tale as historical fiction set in Renaissance-era France, and uniquely includes some real-life historical figures of the time.

After the death of her French nobleman father, Danielle de Barbarac (Drew Barrymore) is treated as a servant by her cold and unloving stepmother (Angelica Huston) and stepsisters. However, Danielle remains strong, kind, and resourceful, and the intellectual equal of any prince, including the philosophical Prince Henry (Dougray Scott.) 

In this story, the fairy godmother is replaced by artist/inventor Leonardo da Vinci (Patrick Godfrey) in Danielle's life. But, even though magic is replaced by science, isn't falling in love, in and of itself, magical?

And everything about this film is magical...

FILM CLIP
Contradictions
Cinderella (2015)
Inspired, in part, by Disney's animated classic, Cinderella, this live-action reimagining of the fairy tale stays true to the core of the story. 

Although this is not a musical, like its animated counterpart, it has all the characters you loved or loved-to-hate from the 1950 film: Ella (Lily James,) Lady Tremaine (Cate Blanchett,) Drisella (Sophie McShera) & Anastasia (Holliday Grainger,) the Fairy Godmother (Helena Bonham Carter,) the Prince (Richard Madden,) and of course, Jaq and Gus Gus, along with glass slippers, a pumpkin carriage, a magical ball, and the girl with the pure heart who gets her happily ever after.

This gorgeous production is pure fantasy fun. 
FILM CLIP
The Royal Ball
The Slipper and the Rose (1976)
Why is it that the story of Cinderella lends itself so well to musicals? This musical adaptation also has all the main story points of the fairy tale, with Cinderella (Gemma Craven) serving her stepmother and stepsisters, but this film also focuses on the prince's side of things.

In the kingdom of Euphrania, Prince Edward (Richard Chamberlain) must marry, but he wants to marry for love, not merely a political alliance to avoid war in the future. A bride-finding ball is organized, and after Cinderella's Fairy Godmother (Annette Crosbie) gets her ready with a new dress and a song, the Prince and Cinderella meet...and music fills the air.
FILM CLIP
Cinderella's Transformation
Rodgers & Hammerstein's
Cinderella (1997)
This made-for-TV movie musical broke viewership records when it debuted on The Wonderful World of Disney in 1997. So many girls grew up with this version of Cinderella on video, and it is still just straight up fun with it's memorable score by Rodgers and Hammerstein. 

Cinderella (Brandy Norwood,) works tirelessly for her cruel stepmother (Bernadette Peters) and stepsisters until her Fairy Godmother (Whitney Houston) sings the catchiest Fairy Godmother song ever in "Impossible/It's Possible," and helps Cinderella get to the Royal Ball, where the prince of her dreams will change her life.

Wonderful music and performances to remember. A magical film all the way around.
FILM CLIP
Impossible/It's Possible
What Cinderella films do you like? 
Leave a comment below!
Enchanted Conversation's contributing editor, Amanda Bergloff, writes modern fairy tales, folktales, and speculative fiction. Her work has appeared in various anthologies, including Frozen Fairy Tales, After the Happily Ever After, and Uncommon Pet Tales.
Follow her on Twitter @AmandaBergloff
Check out her Amazon Author page HERE
Also, join her every Tuesday on Twitter for #FairyTaleTuesday to share what you love about fairy tales, folktales, and myths.
If you’d like to see even more stories, poems, and articles in EC, please consider becoming a patron. We have cool rewards and every penny we receive goes to EC.
And check out
Enchanted Conversation's
and listen to the
Classical Music to Write Fairy Tales By
playlist for some writing inspiration!

March 18, 2021

Throwback Thursday: Matches and Races, By Theresa Robeson

 

Editor's note: Teresa Robeson's tale from 2012 mashes up Hans Christian Andersen's "The Little Match Girl," and the chill of New Year's Eve with ... the dog track. The unlikely pairing is well worth a read.

Her parents slammed the door behind her with a decisive thunk. She was not to return until she had sold all the matches in her apron pocket. It didn’t matter that it was New Year’s Eve and the cruel chill of winter had a stranglehold on the town.

There was to be no celebration in the house anyway. Being dirt poor meant there was hardly ever enough food on a daily basis, let alone on special occasions. What little money they occasionally had was gambled away by Papa, who always swore, “I have a good feeling about this one.”

When the girl was old enough to accompany her siblings to town to sell matches, she saw other girls her age whose smiling parents held their hands, and who wore velvet or silk pinafores. Her own parents certainly never held her hand or smiled at her. The only time her parents’ hands touched her at all was when they reprimanded her for not following orders quickly enough. And her pinafore was a hand-me down, fashioned from an old bed sheet.

Her grandmother had been the one good thing in her life, slipping her extra morsels of food, and brushing her hair with old, gnarled hand before bedtime. While caressing the little girl’s straw-colored curls, Oma would share some words of wisdom, such as “a bird in hand is worth eating quickly,” “it’s better to be ignored than to receive,” and “life is a dog, and then there’s death.”  She never knew what Oma meant; she just kept quiet, contented to be loved.

But Oma died during the long, hard winter last year. A deep chest cold hit everyone in the family. With a draughty house and not enough food, Oma and the baby, the oldest and the youngest in the household, could not recover. They coughed up blood and their lives.

The little match girl trudged to the center of town, all the streets she was so familiar with during the day strangely aglow with gas lamps. She had never been out this late before, and if she weren’t numb with cold, she might appreciate the beauty of the frosty nightscape.

Laughter drifted out of houses, sounds of people enjoying their dinner parties. The smells of roasted meats and hot breads tantalized her along the way. Nobody wished the waif in torn clothing a Happy New Year. The people she passed by barely glanced at her as she gave them her most winsome smile and said, “Matches? Do you need some matches?”

When she became too tired to walk, she sat down against the wall of the tailor’s shop, tucking her legs beneath her as much as she could. She hadn’t had any food all day. Her stomach growled a reminder, as if she could forget.

Snowflakes began to fall, twinkling like falling stars among the backdrop of lamplight. The girl hugged herself, trying to fend off the cold that pricked her skin under her thin clothing.

What she wanted was the warmth a match could give her, even if temporarily. Her mother and father probably didn’t know how many matches were in her pocket so lighting one couldn’t hurt, could it?

She fought a shiver, pulled a single match out of her pocket and struck it against the wall.

Pshsssss!  The match hissed before catching hold, steadfast and brilliant.

The girl stared at the flame; it seemed to fan out and fill a fireplace. The air about her felt warmer, and the light wind that had played with her apron was gone.  As she continued to stare, she saw that the fireplace sported an ornate grating, with swirls and curls that she recognized as fine ironwork even though she had never seen the likes of it before. A dog lay on an oval braided rug in front of the fireplace, gazing at the fire.  Then it turned its head to look at her. The match burned down to her finger. She gasped and dropped it.

The scene vanished. The chill returned to nip at her fingers and nose, and the wind tugged on her apron again.

Was it hunger or the cold that made her see the vision so clearly? It didn’t matter; what mattered was that she wanted to see it again, to feel warm and safe in the room with the roaring fire.

Surely she could light a second match. It’s only a second match. Her parents wouldn’t miss that one either.

She struck another match on the wall. As it sputtered and sizzled to life, the fireplace appeared before her once more. This time, the dog was not alone. Oma was next to it, smiling at the girl.

“Little one,” she said, holding out her hand. The dog stood up.

“Oma?” said the girl. “I have missed you.”

Oma walked toward her; the dog kept pace.

“I have missed you too,” said Oma.

“Is that your dog?” asked the girl, puzzled since they had never had a dog before.

“Yes, dear,” said Oma.

“What’s its name?”

“Her name is Life,” said Oma.

“Oh,” said the girl, and thought for a moment, remembering the sayings that her grandmother used to tell her. “Does this mean I’m going to die?”

Oma cocked her head. “Something needs to die,” she said and laughed. It sounded so odd; Oma never laughed when she was alive.

The dog came up to the girl and nudged her foot with its nose. She looked down at it, wondering what it wanted from her. 

“Oma, why is your dog doing that?” she said, looking back up at her grandmother. But Oma wasn’t there anymore.

The dog nudged her foot again, harder this time.

“Hey,” it said.

The girl started.

“Hey!”

She blinked and saw that it was not the dog, but a stranger, tapping at her foot with his cane.

“Are you selling matches or sleeping?” the stranger asked. His companion stifled a smile. They both smelled of wine, and maybe something harder.

She got to her feet. “Yes, sir. I am selling matches.”

“Well, good; the general store is closed and I would hate to run out of matches for my festen later this evening.”

“How many would you like, sir?” the girl asked.

“I’ll take the lot,” the man said.

She pulled all the matches from her pocket and placed them in the drawstring pouch the woman companion was holding out toward her.

The man put a number of coins into the girl’s hands in return.

“That’s mighty generous of you,” the woman said to the man.

“Don’t spend it all on candy now, little girl,” he said.

“As if spending it on dog racing is so much better,” said the woman with a smirk.

“Dog racing?” said the girl.

“Last run of the year!” said the man. “No finer way to finish off the old and ring in the new.” He pulled his lady friend close and they both laughed heartily at a joke the girl didn’t get.

As the couple went about their way, the girl stared at the coins in her hand. She thought of Oma and the dog. Dumping the money into her apron pocket, she hurried after the couple, but kept out of their sight.

The racetrack was well lit and glowed with a festive halo, as though God Himself approved of gambling.

The couple greeted their friends as they arrived. When their chatter faded after they entered the tracks and there was no one else about, the girl approached the hut by the gate. The man in the hut was muttering to himself and shuffling something in his hands. She cleared her throat. He didn’t notice.

“Excuse me, sir!” she said.

He looked up and didn’t see anyone. “Who’s there?” he asked.

“I’m down here,” she replied.

The man peered over the edge of the small window. “What’re you doing here, little girl? You should be home.” His voice was gruff as he glanced around. “I don’t want officers to see children loitering about.”

“I’ve not run into any officers of the law all evening,” she said. “They’re probably home celebrating.”

The man grunted. “That may be. That may be.”

“I would like to bet on the race,” she said.

He surveyed her tattered clothing. “You need money to bet.”

“I have money,” she said. She pulled out the coins from her apron pocket.

He raised his bushy brows.

“What dogs are in this race?” she asked.

The man shrugged and pointed to the piece of paper posted next to him. “Snowflake, Fjord, Tulip, Zephyr, Coal, and Life.”

The girl smiled. “I’ll bet everything on Life,” she said as she reached up and dumped all her coins on the ledge. “I have a good feeling about this one.”

Having grown up under the influence of Chinese and Western fairy tales, Teresa Robeson still believes, in her late 40s, that foxes turn into people and there are faeries hiding behind toadstools. 

January 14, 2021

Throwback Thursday: The Golden Age of Illustration, 3 Female Artists from England, By Amanda Bergloff

 

Editor's Note: When many people think of the Golden Age of Illustration, Arthur Rackham, Edmund Dulac and other male artists come to mind, but there were also female artists that excelled during this time. We hope you enjoy this article featuring three female artists from England and their art originally published in 2017.

The Golden Age of Illustration is a term applied to a time period (1880s - 1920s) of unprecedented excellence in book and magazine illustrations by artists in Europe and America. Advances in technology at the time allowed for accurate and inexpensive reproductions of their art, which allowed quality books to be available to the voracious public demand for new graphic art.


This period produced some wonderful female artists from England that we're featuring here, starting with Beatrix Potter:

Beatrix Potter
Beatrix Potter (July 8, 1866 - December 22, 1943) was an English illustrator, writer, natural scientist, and conservationist. Her children's books featuring animals, such as The Tale of Peter Rabbit, are what she is best known for.

Growing up, Potter's love of landscape, flora, and fauna, is what led her to develop her talents as a painter. She was thirty years old when she published, The Tale of Peter Rabbit, and after the success of that book, she began writing and illustrating children's books full-time.

Potter wrote about 30 books during her lifetime - 24 of those being children's tales such as The Tale of Benjamin Bunny, The Tale of Tom Kitten, The Tale of Jemima Puddle-Duck, The Tale of Mr. Jeremy Fisher, and others.

Her charming illustrations were always some of my favorites growing up, and I still have the books I originally read on my bookshelves today. Check out some of her art below:
The Tale of Peter Rabbit, 1902


from The Tale of Tom Kitten, 1907

from The Tale of Jemima Puddle-Duck, 1908
from The Tale of Peter Rabbit, 1907

Millicent Sowerby
Amy Millicent Sowerby (1878 - 1967) was an English painter and illustrator and was one of the first women to illustrate Lewis Carroll's Alice's Adventures in Wonderland in 1907.

Sowerby took some art classes, but was largely self-taught. Her work was initially influenced by the Arts and Crafts movement, along with artists such as Thomas Crane and Kate Greenaway.

She is also known for her illustrations for A Child's Garden of Verses by Robert Louis Stevenson in 1911, her postcards featuring nursery rhymes, children, and Shakespearean scenes, and children's books created with her sister, Githa Sowerby.

Sowerby's art is beautifully fanciful and detail oriented. Check it out below:

Fairy Babies, 1910
Little Bo Peep, 1908
from Alice in Wonderland, 1907
from Alice in Wonderland, 1907

Kate Greenaway

Kate Greenaway (March 17, 1845 - November 6, 1901) was a Victorian children's book illustrator and writer whose work influenced the children's style of the day.

Her first book, Under the Window, was an instant best seller and was followed by other successful books, including Mother Goose (1881) and Little Ann (1883.) She also developed a career as a water-colorist with illustrators Walter Crane and Randolph Caldecott.

Greenaway illustrated over 150 books, and two of them were ones that she both wrote and illustrated: Under the Window and Marigold Garden. By the late nineteenth century, her illustrations of children were so popular that Liberty of London adapted her drawings as designs for actual children's clothes.

Her graceful art evokes a nostalgia to read old nursery rhyme books with a cup of tea on a Sunday afternoon. Check out her lovely art below:
Mother Goose Nursery Rhymes, 1910
December, 1890
from The Baby's Opera, 1877
from Marigold Garden, 1885

EC's contributing editor, Amanda Bergloff, writes modern fairy tales, folktales, and speculative fiction. Her work has appeared in various anthologies, including Frozen Fairy Tales, After the Happily Ever After, and Uncommon Pet Tales.

Follow her on Twitter @AmandaBergloff

Check out her Amazon Author Page

Also, join her every Tuesday on Twitter for #FairyTaleTuesday to share what you love about fairy tales, folktales, and myths.
And check out
Enchanted Conversation's
and listen to the
Classical Music to Write Fairy Tales By
playlist for some writing inspiration!
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