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September 21, 2021

The Knot of Toads, By Jennifer A. McGowan


Editor’s note: Jennifer A. McGowan has been featured on this site about six times over the years, and this story is a perfect example of why. It mixes charming details with some
 familiar and delightful fairy tale standards. The result is thoroughly entertaining. (Kate)

The miller’s daughter had been left a ring by her mother which was slightly too big for her finger, so she often took it off and put it on; took it off and put it on.  One day she walked by the millpond and heard croaking, high and low, for all the world like a conversation.  Nearer she crept and nearer, fingers idly playing, till she saw a knot of toads: one large one surrounded by many smaller ones, for all the world like a king and his court.  She laughed, but, laughing, slipped on the soft pond edge and plop! in she went like a toad, and plip! more quietly, in went the ring. 

She flopped and floundered, floundered and flopped, and made it back to the bank, where the smaller toads with their high-pitched croaking sounded like they were laughing, till the large one, with one deep croak, silenced them.  When she sat on the bank, she noticed she had lost a shoe, and it new.  Thinking, she took the other one off and put it safe, then waded in and by luck more than judgment found the shoe.  Utterly covered in mud, only now did she notice her finger did not shine.  Knowing she had trodden the pond bottom thoroughly, she also realised she had probably trodden the ring deep into the mud.  And so she flopped and floundered to the bank where she cried and cried, till the tears cleaned her face and restored some of her looks.

 

The smaller toads had all vanished, but the larger one watched her gravely, and eventually it asked, “Whatever is the matter?”

 

“Oh,” she sobbed, “I have lost my mother’s ring that she left me, and I likely never to get it back!”


“I should laugh at you as you laughed at us,” said the toad.  The miller’s daughter, irked, snapped, “I heard you laughing.”

 

“I did not laugh,” said the toad.

 

“No,” said the miller’s daughter, slowly, “you didn’t.”

 

“If you will promise faithfully to do me a favor when I ask it of you,” said the toad, slowly, “I will find the ring.”

 

“I promise,” replied the miller’s daughter.  Plop! in went the toad.

 

For days she did not see him, then there he was in her garden, and at his feet the ring.  “Oh, thank you!” she cried, and put it on her finger at once.

 

“I like this garden,” remarked the toad.  “It is neat and pretty, with soft, damp soil.  And near the pond.  May I live here?”

 

“Of course!” cried the miller’s daughter.  “Of course!”

 

And so began the friendship between a toad and a miller’s daughter.  The would have long conversations about whatever took their fancy, and if the miller’s daughter thought he was strangely educated for a toad, she was smart enough not to press the point.  From time to time the smaller toads visited the garden, too, and then the knot of toads would form, and the croaking, high and low. Each night after this happened, deep in the dark hours, the miller’s daughter would hear long, hoarse croaks like sobs.  Eventually she went down to the garden despite the night air and the dew and found her friend.

 

“Whatever is the matter?” she asked.

 

“I have a jewel in my head, and it pains me,” replied the toad.

 

Now, the miller’s daughter knew that toads carried jewels in their head, and that alchemists and wizards would pay a pretty penny for toadstones, but she had never heard that it pained the toad before.  But then, she had never met such a well-educated toad before, so she took it in her stride.

 

“It must pain you greatly, to cry out so,” she said softly, picking him up and, she thought, noticing a shining beneath the skin on his head.

 

“It does, and it grows worse,” replied the toad.  “I need to ask you—will you take it out for me?”

 

“But that would kill you!” she said.

 

“Nevertheless,” he insisted.  “I did not cavil when it took me a week and a day to find your ring.”


“No more you did,” she said thoughtfully.  “Leave the matter with me.”

 

She consulted the witch who lived further down the river about how to remove a toadstone.  “Put it on a piece of red cloth,” remarked the witch.  “If that doesn’t work at least it will soak the blood when you smash its head.”

 

She walked a long way to consult a cunning man, pretending she was interested in the things he was interested in.  “I hear,” she said to him, “that toadstones are sovereign in the curing of fits.  Is this true?”

 

“Only if taken from the head of a living toad,” he said.  “Here, I’ll show you.”  Alas, all of his demonstrations resulted in the death of the toad, and the miller’s daughter’s spirits fell.  Still, she pretended she was interested in the cunning man’s medicines, and walked there every week pretending to study with him and reading his books, but she found no way of removing the jewel in her friend’s head without killing him.  And soon she noticed that the cunning man had more than a teacher’s interest in her, so she stopped going.

 

When she got home, she went to find the toad in her garden.  It was coming on night, and the smaller toads had gathered.  “My toad,” she said, “I have read and studied as widely as I can, and I can find no way to remove the jewel that pains you that will not result in your death.  I do not wish to kill you.  You are a good friend to me.

 

“Are you still of the same mind you were?”


The toad nodded.  “There is a way, but if you cannot find it in your heart, then it is not  to be found,” he said.

 

His words turned and turned themselves in her mind till, suddenly, she had an idea.  She picked her friend up carefully, and, hoping against hope, removed the jewel with a kiss.

 

Immediately a young man stood before her, with a ruby in his hand and a grievous head wound.  He fell to the floor.  The smaller toads, transformed into his friends, and each with rubies in their hands, rushed to surround him, and carried him off.  The miller’s daughter rushed to her room in tears, though she knew not why.

 

Some days later, bandaged but alive, he appeared again in the garden, and held out his hand to the miller’s daughter.  “My dearest friend,” he began, “many years ago I unwisely employed a dishonest man in my retinue, who stole a ruby necklace from a sorceress and planted it in my possession.  She, finding it among my things, cursed me and my true servants to be toads, with a ruby in each of our heads, until such time as someone. knowing nothing about me, would find it in her heart to remove it.

 

“You have proved not only to be wise of counsel but wise of heart, and you have learned not to act without thinking, as once you acted by the millpond.  Will you, then, come with me, and be my wife?”


“Gladly,” said the miller’s daughter, and in time they came to the young lord’s lands, where he was wonderfully received.  They married and become renowned for their kindness and wisdom—and they kept their gardens neat and pretty, with soft, damp soil, for any toads who might be passing by.


***

Jennifer A. McGowan won the Prole pamphlet competition in 2020, and as a result, Prolebooks published her winning pamphlet, Still Lives with Apocalypse. She has been published in several countries, in journals such as The Rialto, Pank, The Connecticut ReviewAcumen and Agenda. She is a disabled poet who has also had Long Covid for 15 months at time of writing. She prefers the fifteenth century to the twenty-first, and would move there were it not for her fondness of indoor plumbing.


***

Image is by Amanda Bergloff, using an illustration by Eugene Grasset, 1893.

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This story was made possible by generous donations by Patreon patrons. We could use some more, so please consider donating. The details are here.

June 30, 2021

Why Snakes are Always Female, By Jennifer A. McGowan



Editor’s note: This read is unexpected, charming, and celebrates the natural world. It’s a lot of fun, and I was delighted to be able to buy it, thanks to generous donors! Jennifer has been published in EC since 2012, and I was happy to see her work again. (KW)


Once, on the edge of the wild, wild wood,

a princess lived in a kingdom with no old women.

 

Crones were said to live in the wood, sly and subtle

as snakes. They were seen dancing skyclad on hills,

kidnapping unwanted puppies and kittens;

sometimes aggressively healing people.

But they were stories, and stories aren’t real.

 

The princess was sad.

She was of an age to get married

and have children of her own,

and she was afraid.

 

She told her best friend about it.

Her friend was a long, long snake.

 

The snake asked why her father the king

was not helping her.

 

‘The marriage is his idea,’ replied the princess.

 

The snake asked why her mother the queen

was not helping her.


‘The marriage is his idea,’ replied the princess.

 

The snake asked why her mother the queen

was not helping her.

 

‘My mother died in childbirth,’ said the princess.

 

The snake asked why her grandmother

was not helping her.

 

‘My grandmother died in childbirth,’ cried the princess.

 

‘Your great gra—” began the snake.

The princess gave her a Look.

‘No, no, I get it,’ said the snake. ‘Childbirth.

 

‘What a curious race you are,’ said the snake.

‘In the wild, wild wood, we are all female

and if we want children we lay eggs

which hatch into wonderful daughters.’

 

The princess cried and cried.

 

One day when the princess was early for their meeting

she found her friend, pale and empty, and so, so fragile, on the ground. Now she had a new reason to cry.

 

The snake found her there and looked at her curiously,

Asked why she was crying so hard, so hard.

 

‘You’re dead!’ sobbed the princess.

‘I’m not,’ said the snake. ‘I’m renewed. Look.’


The princess looked and saw her friend

more beautiful than ever. Her friend explained

how snakes moult their skin, leaving all past mistakes

and sadnesses with their old one.

 

‘I wish I could do that,’ wished the princess.

 

‘You can,’ said the snake, in an odd voice.

‘And you have hands, so it should be easy.

Find an edge and tug and rub.

I found the bushes useful.’

 

The princess pricked herself on a rosebush and pulled,

staining the roses red. She stared, found an edge,

tugged and rubbed a little. It gave. There was new skin

underneath. She kept tugging.

 

Soon she was new and shining,

and if she had a few scales, who could blame her?

 

She laughed, stepped out of her old skin, neat

and clean as a whistle. Left with it

the rank and dignity of princess. Entered

the wild, wild wood, and was never heard of again.


***

Bio: Jennifer A. McGowan won the Prole pamphlet competition in 2020, and as a result, Prolebooks published her winning pamphlet, Still Lives with Apocalypse. She has been published in several countries, in journals such as The Rialto, Pank, The Connecticut Review, Acumen and Agenda. She is a disabled poet who has also had Long Covid for 15 months at time of writing. She prefers the fifteenth century to the twenty-first, and would move there were it not for her fondness of indoor plumbing.


***

This work is brought to you by Sara Cleto and Brittany Warman, two generous Patreon patrons. To learn how to support EC, visit our Patreon page.


***

The image is a vintage snake illustration, details unknown.

March 6, 2014

The Lady and the Ghost, By Jennifer A. McGowan

"The Ghost's Petition," By Emma Florence Harrsion

Editor's note: Jennifer's work has been featured often in EC--she knows how to evoke a mood. A touch of the macabre and a nod to classic story-poems from the British Isles made this a winner.
 
Bess, she had a likely lad,
and that lad he had Bess.
Why he went out on Hallows eve
is anybody’s guess.

He lost his way and climbed a hill
to see what could be seen—
Glided up to him from out the mists
a grim and ghostly queen.

“One kiss, my handsome Will,” she cried,
“One kiss!  I claim my prize.
or those who climb up Tanner’s Hill
are driven mad, or wise.”

Now Will he fancied wisdom
if it would get him back to Bess.
He bowed to the ghostly figure,
bestowed on it a kiss. 

Just one kiss from my clay-cold lips
and you’ll never be alone. 

And he saw gold abounding,
riches more than he could name.
He gathered gems up in his hands
and then he turned back home.

Bess waited with a lantern
brushing her flowing hair.
She thought she heard Will in the lane
but nobody walked there.

She thought she heard Will by the byre
but no-one passed it by.
She thought she heard him at the door;
she thought she heard him sigh.

He climbed in through the window
reached his hand hers to have.
But Will had found his wisdom
in the bed of an early grave. 

Just one kiss from my clay-cold lips
and you’ll never be alone. 

The Lady and the Ghost cont’d. 

Bess felt his hand pass through her own
put on her cloak of green
ran crying through the lonely night
to face the ghastly queen.

“I’ll pay your price, you hag,” she swore
as she clomb Tanner’s Hill.
“You shall have my cursed kiss,
and I shall have my Will.”

The queen laughed soft but she laughed long,
“I fear not to be spurned.”
A kiss then to her Bessie threw
and was kissed in return.

The morning sun dawned bright and gay
and Bess awoke and saw
The ranks of dead men in the dew
a hundred strong, or more. 

Just one kiss from my clay-cold lips
and you’ll never be alone.

Now Bess among the living waits
for Time to claim his own.
The faithful dead walk at her side
and she’s never alone.

 Jennifer A. McGowan lives near Oxford, England, and has published widely on both sides of the Atlantic.  For more poetry, info about her first collection and anthologies, and for samples of her medieval calligraphy, visit http://www.jenniferamcgowan.com

December 28, 2012

Song of Krampus, By Jennifer A. McGowan

Editor's note: Here's the first of the five Krampus winners, which will be spread over the next few days. Jennifer's work examines Krampus' zeal while making every word count. Also, as I am a bit ambivalent about Jolly St. Nicholas myself, this poem grabbed my attention.


All year I gather birch twigs,
gather them up into bundles, just so.
Tie them carefully.  Make sure
the heft is right for shins
and backsides.  At the end of November
I begin blackening:  rubbing coal dust and ash
into my already-dark hide until
I leave smoky footprints.

Oh, child, when you feel my stings
will you realise at last I’m the only one
to care about the naughty?
The chuckling saint only brings gifts
for those sweeter than spun sugar.
Too much sweetness attracts flies, like dung.

Let us dance.  You hide behind the chair.
I snarl and flash my sharpened teeth.
Around and around each piece of furniture
until you tire and my switches
tease your skin.  Your parents will hang
my golden bundle—my gift—for you
to look at year-long, while your spun-silk
sister’s doll will break in a week, maybe two.

Listen at the window for my chain-call.
Don’t reach for spun sugar.  It shatters.
Jennifer A. McGowan lives near Oxford, England, and has published widely on both sides of the Atlantic.  For more poetry, info about her first collection and anthologies, and for samples of her medieval calligraphy, visit http://www.jenniferamcgowan.com

June 25, 2012

The Talking Skull, By Jennifer A. McGowan


Editor's note: This winning poem grabbed my attention in a big way. While based on a folk-tale rather than a fairy tale, it honors the fairy-tale tradition by having elements of wonder and transformation -- of a rather dark sort. Jennifer adapted it from a Nigerian folk tale.

A hunter
in search of food for his family
walked and walked
but found no prey.
The plains stretched on
and the sun beat
and even he was weary.

There was one tree
that stretched its branches
and he sat beneath it.
Propped his feet
on a white rock
and drank.
When he was rested, he noticed
the rock had two eye-holes
and teeth.  Alone
in the vast expanse
except for the sky,
he addressed the rock
in a casual fashion:
“What brought you here, my friend?”
Then he laughed,
grateful no one could hear him.

So perhaps it is to be forgiven
if the hunter jumped
when the skull fixed him
in its empty gaze and said,
“Talking brought me here!”

Food and family forgotten,
he ran to the king
to tell him of this wonder
and the king
and all his attendants
went in stately fashion
to see the talking skull.

The plains stretched on
and the sun beat
so it is perhaps to be forgiven
if the king was weary
and rather hot and bothered
when at last they reached the one tree
that stretched its branches.

The king ordered the hunter
to show him the wonder
and the hunter found the skull
and addressed it in a friendly fashion:
“Greetings again!  Please tell my king—
what brought you here!”

But the skull
was silent.

For a long time
the hunter pleaded and implored
questioned and queried
but the skull
might well have been
a white rock to prop his feet on
for all the good it did.

The king was angry.
He had come a long way
and had expected wisdom from beyond the grave
or at least a miracle
that befit his station.
He had his champion
lop off the hunter’s head
and began the long trip home.

Beyond the one tree
the plains stretched on.
Beneath the tree
the skull rolled grinning
over to the hunter’s head and asked,
“What brought you here, my friend?”
And the hunter’s head said sadly,
“Talking brought me here!”
And underneath the shaded earth
the other skulls set up a clattering.

Jennifer A. McGowan lives near Oxford, England, and has published widely on both sides of the Atlantic.  For more poetry, info about her first collection, and for samples of her medieval calligraphy, visit http://www.jenniferamcgowan.com

 
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